Wednesday, July 11, 2012

WITCH SONG: A Worthy Witch Novel



I recently saw a tweet about Amber Argyle's debut novel, WITCH SONG, and decided to give it a try. I'm glad I did! I really enjoyed this young adult novel and am pleased to host its author today. Welcome, Amber!


Who or what inspired you to write?

I grew up saying I wanted to be an author. But success was so significant to me that I didn’t—simply because the thought of failure was just too devastating. Then came my second son. He suffered from colic, often crying and fussing for 18 hours a day. By the time he was three months old, I was in a VERY dark place. Writing is what got me out of it.


What is Witch Song about?

Witch song is a fun quest by land and sea, and also a journey of the heart. A girl who grew up as an outcast discovers she is a powerful witch and a leader--and takes on the task of freeing her fellow witches to bring peace to a ravaged world. Senna's power comes from her voice---but she learns it also comes from within.~JoLynne Lyon (used by permission)
Who’s your favorite character, and why?

My main character’s love interest, Joshen. He’s easy going and like most teenage boys, loves to eat just about anything that holds still long enough. He’s also loyal and compassionate to a fault. The kind of guy anybody would want to be friends with. He's the kind of guy that gets hotter every time you see him.

Who’s the most challenging character to write?

My MC, Brusenna. It’s really hard to write a shy heroine. Because the heroine has to MOVE the story, not hang out in the background. And because I’m kinda the opposite of shy. More like that really annoying person who wants to chat with you at the checkout line. Talk about drawing from hidden reserves.
What inspired you to write about witches?

The whole concept of the book came to me with one line: I am a witch. I got all tingly and the plotting gears started spinning. I sat down to write and write and write. I finished the whole first draft in a month. Of course, as anyone who writes a book knows, the first draft is less than an 1/8th of the work involved in creating a book.


Please provide a favorite excerpt from your book:

The Witches in WITCH SONG aren't your average Witches. Their songs control nature—storms, season changes, plants. Here’s an excerpt that shows Brusenna (Senna) controlling nature:

As she’d seen her mother do so long ago, Senna spread her arms and sang, “Wind, lift me high, that my words reach to’rds the sky.” The violent wind slowed, like a herd of raging colts pricking their ears to listen to her song. She sang again. Slowly, it bent and began circling her. As she continued the song, it became a lazy whirlwind that twisted her hair up and made the trees at the edge of the circle sway as if entranced. The air thickened, tentatively testing her weight.

She sang one last time. And this time, the wind lifted her. Her feet dangled above the ground. “Higher,” she sang. The wind obeyed, twirling her skyward as easily as a handful of dandelion fluff. She didn’t stop until she could see the churning sea beyond the island walls.
When she’d reached the apex, the wind carried her voice over the world, “Though Espen’s curse that nature break, I beg of thee hold thy stake. Seasons stay in thy place, winds blow in pace. Weather hold thy climes, plants keep thy times. Not to break but bend. Until at end, I bring thee mend.” She repeated the song over and over again, until her words came through her throat raw and her voice broke.

When she could sing no more, the wind hesitated, as if loath to part with her. She hung suspended, watching the boiling seas and raging storm settle. She looked for any sign of a struggling ship, some proof she wasn’t completely alone, but there was nothing but the empty sea.

She wished she could stop the storm completely. But though the strength of her songs had grown, Espen was stronger. Much stronger. But as long as the other witches resisted, Espen couldn’t have total control.

The wind set Senna gently down. “Thank thee wind, for heading my call. For holding strong, so I did not fall.” She waited as it slowly faded, caressing her face one last time before retreating all together and leaving only the ever constant thunder and rain.

And another that shows Senna using her song to use the plants as weapons:

The dogs streaked through the trees, their baying increasing to a fevered pitch as their quarry came into view. Reaching inside her pouch, Senna drew a Barrier Seed. She forced a hole in the soil and pressed the seed down. “Back up,” she said, gripping Joshen’s arm and pulled. As she moved, she sang, “Take in light, take in air; spread thy roots, thy leaves grow fair.”

She kept repeating the song over and over. A green shoot burst from the earth. Within moments, it was taller than Joshen. “Just a few more songs,” she thought. But the first dog sprang past the tree. Joshen swung the tree branch, catching the dog in the ribs. With a yelp, it backed out of his reach and barked like mad.

Too late to grow it to full maturity! Senna’s song changed into something deeper and darker. This wasn’t a song, so much as a chant. She cringed at the animosity and menace in her voice, “Let nothing pass.” The other dogs slowed, sensing the danger, but not understanding it.

They didn’t have time to do more than flinch as the tree’s branches wrenched them from the ground. Barks of excitement changed to howls of terror as they writhed to free themselves. But the tree didn’t even pause as it flung them back in the direction they’d come. Tail between their legs, the others fled—terror plain in their wild eyes.

Where can readers find you and your book?

You can find me on Twitter, Facebook, Goodreads, and Shelfari.

I recommend WITCH SONG and am looking forward to the next book, WITCH BORN. Thank you, Amber!

--KSR Writer

Tuesday, July 3, 2012

Holiday Book Specials


In celebration of the holiday this week, I wanted to highlight some special book deals available!

First, MuseItUp Publishing is offering 50% off ANY ebook, good July 3rd and 4th! Simply use discount code MUSEJULY4 at checkout.

Second, my young middle grade book, TALL TALES WITH MR. K is now available as part of Amazon's library lending program! If you are an Amazon Prime member, you can download the kindle version for FREE! (See book description below).

So spend some time relaxing this holiday with a good book! Happy 4th of July!

--KSR Writer

TALL TALES WITH MR. K book description:

The third-graders at Coyote Run Elementary thought the teacher's lounge is where teachers eat candy out of vending machines, watch TV and get to play video games. They didn't expect it to be a tropical island where they are kidnapped by pirates, a circus where they learn the flying trapeze, or a crime scene where they solve a jewelry heist.

Each chapter of this young middle-grade fantasy tells the story of a different student's adventure in the teacher's lounge accompanied by their mysterious new teacher, Mr. K. Only one student, Sam, decides to boldly go into the teacher's lounge by himself where he discovers something completely different yet.

Wednesday, June 27, 2012

Author C.S. Lakin: First Scene Essentials Part 2


Today I'm featuring part two of author and editor C.S. Lakin's post on "First Scene Essentials," which can be found on her blog www.livewritethrive.com. Welcome Back!


To briefly review what I introduced last month, I'll mention the first important elements again (and if you want more elaboration, retrieve that blog entry and peruse it).

Some of the main points discussed involved picking just the right starting place to begin your book. This means the story starts in present action, in the middle of something happening, with your POV character right in the situation and revealing her (or his) fears, dreams, needs, or goals and the obstacle that is in the way and presenting a problem. The visible "goal" of your protagonist needs to be revealed in some measure in the first few pages, and what we'll explore today is the need to establish both the plot question and the spiritual question your book is raising.

You may not have a deeply themed book, but there must be some reason you are writing this story. What is it about? If you were asked, "Why did you write this book?" (and spend months, maybe years of your life doing so!), how would you answer? Hopefully, there is a specific thing you want to say to your readers. It doesn't have to be a "message" or sermon on life, but every story deals with themes on one level or another, and your views as a writer will come through the story, sometimes whether you intend it or not. Better to begin a book with intention--intending to say something and leave your readers with that "take-home" thought when they read the last line and close the book. This ties in with your MDQ or major dramatic query.
I've never seen in any book on writing a novel the importance of setting up your dramatic query or question regarding plot alongside the protagonist's spiritual question. This is something I gleaned from Davis Bunn's intensive workshop at Mount Hermon two years ago. Learning this was a revelation to me, and took my writing to a much higher level. Now, with every novel I write, I begin with this.

The MDQ or major dramatic query is a yes-or-no question you ask at the start of the book. It's a question that MUST be addressed in the first scene, as it sets the stage for the entire novel. It is also called (by Michael Hague) the "visible goal" or plot goal. Your question may be "Will Mary save her brother before he kills himself?" or "Will Frodo destroy the ring and save Middle Earth before Sauron gets his hands on it?" or "Will Dorothy make it back to Kansas or be stuck with those munchkins for the rest of her life?" You get the idea. The are only a few variations of this plot question and they involve the character either getting something or somewhere, saving someone, finding something, or escaping something. Now, the answer that you reveal at the end of the book can be either yes or no. Maybe Dorothy will, after all, end up living in munchkin land, but she might enjoy it, and find her true path to happiness there. You're the writer; it's your choice.

But now we turn to another MDQ, and that's the spiritual question. It's a little harder to pinpoint, but it reveals the heart of your character and the heart of your story. Without it, you might have an exciting plot but will anyone really care about the story, or even read it to the end? Without a spritual question for your protagonist, the answer may be no. When I say "spiritual" question, I am not talking about faith or faith-based stories. Every good story has one. A question that involves the character's spirit--her heart--is what we're concerned with.
Think about Frodo. His MDQ spiritual question might be: "Will Frodo be able to live with himself and his world by the end of the book if he makes the choice to undertake his journey?" or "Will Frodo find peace and inner joy through his journey to destroy the ring, even if it kills him?" Dorothy's spiritual question might be: "Will Dorothy find her place in the world, feel she fits in, feel at home somewhere?" Think about how these spiritual MDQs are raised at the start of the stories, alongside the plot MDQs. Now, what it crucial to realize is that BOTH questions get answered AT THE SAME TIME AND IN THE SAME SCENE at the end of the book! This is amazing, and when done well, makes your book a winner. Dorothy gets home (plot) but at the same time she realizes she's always been home; that here, with Aunty Em, is where her heart truly lives (spiritual).

So before you even start writing (or if you are partway through your novel, stop and consider), write down your two MDQs--the plot and spiritual questions you need to raise in the first scene that will be answered in one of the last scenes in your book. This is what should shape and give impetus to your entire novel--these questions. Your plot arc and character arcs will all begin and end based on these questions. They seem simple, but the reader needs to know what they are. This doesn't mean you state them blatantly (although in my novel Conundrum, I decided to actually have my main character, Lisa, in first person, ask the MDQ in her head--literally and exactly word for word. That worked for my book, and it sure left no confusion on the reader's part as to what the novel was about and what Lisa's plot and spiritual questions were).
So ponder awhile on this, and if you have any questions or need help on determining your MDQs, drop me a line and I'll help (cslakin@gmail.com). Once you get the hang of setting up your novel at the start with these important elements, it will make writing your book that much easier. The MDQs become a beacon of light that guides your protagonist on her long, dark journey to the end of the story.

Lakin is the author of twelve novels, including the fantasy series, “The Gates of Heaven,” with the first four books now out in stores. She also writes contemporary psychological mysteries, with her Zondervan contest winner, Someone to Blame, having been released October 2010. She works as a professional copyeditor and writing coach and loves to teach on the craft of writing. Her new websites are dedicated to critiquing fiction (http://www.critiquemymanuscript.com/) and building community to help survive and thrive in your writing life (http://www.livewritethrive.com/). Come join in! You can read more about her at http://www.cslakin.com/.

Thank you for being my guest for the past couple weeks and sharing such valuable information! Be sure to check out all of her great tips at www.livewritethrive.com!


--KSR Writer

Friday, June 22, 2012

"A Horse Called Trouble" by C.K. Volnek FREE Today on Amazon


Today I'm happy to join fellow MuseItUp author C.K. Volnek in the celebration of her tween book, "A Horse Called Trouble," which is FREE today on Amazon for Kindle! I downloaded my copy and can't wait to read it. Don't miss your chance to get this book! Download now! 

Book Description:


A troubled teen must overcome her abusive past to save the defiant horse that taught her to love and trust again.

Tara Cummings hasn't had an easy life. Abandoned by her mother at the young age of seven, she's been passed from foster home to foster home; not wanted anywhere by anyone. At thirteen she finds herself skeptic and suspicious, with no family, no friends and forced to participate in horse therapy.
Horse therapy 'will teach trust, perseverance, respect and the value of teamwork", or so says the program's instructor. Tara is unconvinced. Trust only got her heart broken, perseverance only gets her put down, and no on respects or wants to team up with the misfit foster kid.
At the horse farm, Tara meets Trouble, an angry and defiant horse, bent on destroying everything and everyone around him. At first Tara is afraid until she realizes the horse is as misunderstood and untrusting as she is. She pushes aside her fear and a special relationship is formed as she alone manages to calm him, much to the surprise of everyone on the farm. Trouble trust Tara, and she in turn finds hope and acceptance as well as the will to love and trust again.
Tara's self-esteem grows through the program as she begins to work through her shyness and reservations. But her confidence is shaken as an even greater challenge looms ahead. Trouble's manipulative owner is determined to have him destroyed because of his 'dangerous' nature. Tara must overcome her own limitations and fight to save the horse that has freed her heart and given her life value and meaning.

Congratulations, C.K.!

--KSR Writer

Wednesday, June 20, 2012

Author C.S. Lakin: First Scene Essentials



Today I'm excited to feature a guest post by author and editor C.S. Lakin. I follow her blog, www.livewritethrive.com  and have learned so many good tips that I wanted to share some of them with all of you!

This week she is going to discuss part one of her two-part post on "First Scene Essentials." Welcome!

Because I read hundreds of first chapters of novels a year as a writing coach and copyeditor, I've been compiling my list of essentials for a first scene. When you think of all you have to accomplish in the first few pages of a novel, you really understand how writing a great first scene requires numerous hours of study, practice, and concentration. It takes examining successful, long-lasting novels to see how that first scene was constructed. Have you ever read a first chapter that took your breath away? Made you cry? Shocked you? If you can accomplish an emotional reaction in your reader that quickly--hopefully by a quick attachment to your protagonist--half your battle is won.

Without sending you into cardiac arrest by listing nearly twenty important items you need in that first scene, I'm going to concentrate on some important ones--the ones that really need to be considered. Some of them are essential "do-nots." And the first one you may already know (but often feel so tempted to fall back on): No back-story.

Okay, we've heard that forever. But it's true. In order to start your story with a punch and draw your reader in, you need to construct a scene happening right here and now (or with something in the past, like a historical, right then and now). Regardless of the semantics here, you get the point. Some writing instructors say things like "no back-story in the first fifty pages." Some editors will be so bold as to say they would be happy if they saw NONE in the entire book. Maybe that won't quite work for your book, but it's safe to say that countless scenes start with a line or two in the present and then, whoosh! There you are reading about the character's early life or marriage or something she did right before the scene started. Which should make you ask...

Are you really starting your story in the right place? More often than not, the answer is no. That's what second and third drafts are for--throwing out your first scene or two. Most of the books I read don't "get going" until page twenty. All that up-front explaining, narrative, setting up the scene, etc., was all great back in Dickens's time (A Tale of Two Cities, for example). But we don't do that anymore. TV, movies, and video games have changed the modern reader's tastes and they want cinematic writing (so says Donald Maass in The Fire in the Fiction).

So how do you avoid the dreaded info dump and back-story? Think about the emotion, feeling, or sensation you want to evoke in your reader. You want to put them in a mood right away. You want to be specific to generate that mood, which means bringing in all the senses and showing your character in the middle of a situation, right off the bat.

And that's the next essential element: establishing immediately (did I say immediately?) the drives, desires, needs, fears, frustrations of your protagonist. Not only do you need to show her in conflict, in the midst of an inciting incident, but you need to reveal her heart, hint at her spiritual need, show her vulnerability, and what obstacles are standing in her way. In the first scene? Oh yes. Yes.

On top of all this, you must give the reader some idea of what the book is about--the theme or point--what they are getting into and why they should care. A tall order? You bet. But think--why are you writing this story anyway? What is the one thought, message, idea, conclusion, or feeling you want your readers to take home with them when they finish reading your book and set it down? Whatever that is should be set up in the first few pages, even if just a hint of a promise of what to expect. If your book is about forgiveness, then something about forgiveness or lack thereof must be an important element of your opening scene.

So, once you have all this in mind, think what scene would best set up your premise, plot arc, character arc, theme, and mood. You may have to write a bunch of different first chapters, as I sometimes do. Sometimes it's not until you near the end of writing your book do you get the right idea for the opening scene. You might be like John Irving, who starts every novel with the last line of his book and works backwards (yes, he does!). But he's onto something there--do you see? He knows exactly where he wants his readers to end up--plotwise and theme-wise. He already knows the end of the story and the take-home feeling he wants to evoke, so he sets about figuring how to lead that back to the start. Maybe that technique will work for you.

I'll go more into detail later this month about first chapters and all the structural elements that need to be set up. But for now, think about the heart of your story and the heart of your character. Once you find a way to put her heart right out there from line one, in a scene that throws her at odds with her world and shows how she reacts, you are on your way.

Lakin is the author of twelve novels, including the fantasy series, “The Gates of Heaven,” with the first four books now out in stores. She also writes contemporary psychological mysteries, with her Zondervan contest winner, Someone to Blame, having been released October 2010. She works as a professional copyeditor and writing coach and loves to teach on the craft of writing. Her new websites are dedicated to critiquing fiction (http://www.critiquemymanuscript.com/) and building community to help survive and thrive in your writing life (http://www.livewritethrive.com/). Come join in! You can read more about her at http://www.cslakin.com/.

Excellent information! Next week I'll post her tips for "First Scene Essentials: Part Two!"

--KSR Writer

Wednesday, June 13, 2012

"Dark Heirloom:" An Urban Fantasy from the Vampire's POV!



We've all read paranormal books told from a human's point of view, but my guest today has written a book told from the paranormal character's viewpoint, and it sounds incredibly intriguing! J.D. Brown is the author of "Dark Heirloom," from MuseItUp Publishing. Welcome, J.D.!

Tell us a little about your background and how you became an author.

Thanks so much for having me at your lovely blog today, Kathy, I’m delighted to be here. I feel like I should mention that my books are for adults who enjoy vampires and urban fantasy. :)

Writing started out as a hobby for me after I lost my job. I had a lot of free time but not of a lot of money and writing allowed me to channel my stress in a creative way without tearing a deeper hole in my bank account. I’ve always been an artsy person, always expressing myself through sketching, painting, or poetry. But that time the idea to write a full-length fiction novel just clicked in my head so I ran with it and haven’t looked back since. I get a deep satisfaction from writing novels now and just can’t picture my life going any other way. I absolutely love being an author.


What is one of your favorite books and why?

That I’ve read or that I’ve written? LOL. I’m currently obsessed with The Mortal Instruments series by Cassandra Clare as well as the Charley Davidson (First Grave on the Right) books by Darynda Jones. But I read often and my favorites are always fluctuating.

As far as my own writing goes, I have to say I love Dark Heirloom. I’ve written short stories and poems before, but Dark Heirloom was my first full-length novel and it will always be very special to me. I love the characters and the world they inhabit and sometimes it shocks me that my imagination came up with it all. :)


What inspired you to write this book?

I’m a huge fan of vampires and paranormal characters in general, but I remember at the time I was feeling frustrated by some of the books I was reading. I was tired of reading urban fantasy or paranormal romance from the human’s point of view. And frankly it didn’t make any sense to me - why would the hero or heroine of a paranormal story be human? Why couldn’t the vampire be the main character? Soon after that I read a quote somewhere that said “If there is a book out there you want to read that hasn’t been written, write it yourself.” That quote was just the kick I needed. I sat down and started writing the book I wanted to read and what resulted from that was Dark Heirloom.


How would you describe your writing process?

In a single word; hectic. LOL. I do a ton of researching, brainstorming, plotting, and outlining beforehand thinking it will make the process nice and smooth. But that never works. As soon as I start writing the actual draft the characters take over, scrap all my hard planning, and do what they want. So basically I’m just the manual labor working for a bunch of imaginary vampires.


How have you marketed your book?

You know, I actually have fun marketing. Sure, there are times when I feel like I’m drowning in it, but I’m very proud of Dark Heirloom, so why wouldn’t I want to show it off to everyone? As for how, well, I try to handle it the same way I handle most things in life; with kindness and creativity. I network on Facebook every single day. I’m up on other social networks too, but Facebook is my main powerhouse. I do giveaways and contests and scout around for reviewers and bloggers, like Kathy here, to host me. I’m generous when it comes to freebies. I want people to read my book more than anything. So I’ve posted the first 10 chapters of Dark Heirloom on my website for everyone to read for free. I’ve gotten great feedback that way too.

I have several more tricks up my sleeves waiting to be revealed, but Dark Heirloom has only been out for a couple months and if I’ve learned anything about the biz, it’s that timing is everything. So I’m waiting until I get all the conditions right before I launch my next big marketing idea.


What advice would you give to other authors?

Remember to have fun with your writing. It’s very easy to drown in the stress of the business side and totally lose sight of why you wanted to be published so badly in the first place. Don’t feel bad if you need to take a brake from marketing. Don’t feel bad if you want to do something totally silly or different or risky with your writing. It’s art, it’s supposed to be a little dangerous and intimate. Embrace it.


Please provide a favorite excerpt from your book.

            My reflection haunted me as I stood with my forehead pressed against the mirror in the bathroom. I couldn’t feel the glass. My brain told me it should’ve been cold and hard, but all my skin felt was pressure.
            I looked like a zombie. My tan had disappeared, replaced by liquid white, my skin a numb rubbery latex. My teeth fanged like an animal’s. My eyes…
            Two days ago, my eyes were bright brown. Now they were the darkest shade of black, like onyx beads. The irises blended into freakishly wide pupils. Little specks of scarlet glittered in tiny splashes around the irises. Shuddering, I stepped away from the mirror.
            Vampire.
            I couldn’t believe it. One thing was for sure; they weren’t human. Humans couldn’t fly or walk through walls. Humans couldn’t hear or smell things from miles away with precise accuracy. They couldn’t see distinct detail or vivid color in the dark of night.
            Aliens, ghosts, monsters…it didn’t matter what name they chose. The fact remained the same; they were convinced I was one of them now.



Where can readers find you and your book?

Dark Heirloom is available from:
·    Amazon Kindle
·    Smashwords.com

You can reach me, J.D. Brown ay my website http://authorjdbrown.com
And at:
·    Twitter Profile
·    J.D.’s Blog

J.D., the excerpt is wonderful and I'd love to read this book. Thanks for joining me today!

--KSR Writer

Tuesday, June 12, 2012

Help Promote Children's Literacy!


Nothing is more important in a child's education than literacy, which is why I am so excited to be part of an endeavor to help make reading content readily available for ALL children. Knowonder! is currently publishing new, original, professionally written short stories every day for children ages 0-10 via its website (http://www.knowonder.com/) and free mobile app. Now knowonder! wants to expand its literacy mission by offering fully illustrated digital and print books as well!

In order to accomplish this goal, knowonder! has launched a campaign to raise $15,000 for the development of its first ebook, mobile app, and printed version of the children's story called CHOMP! CHOMP! CHOMP! Through its success, knowonder! will be able to publish many more wonderful children's books in multiple formats, many of which will be offered FREE to children across the country.

To find out more about this project and to donate (donations start at just $7!) please visit this web site: http://www.rockethub.com/projects/8522-chomp-chomp-chomp-fun-kids-book-app

Let's all help support children's literacy!
--KSR Writer